Visit the Official Winnetou – The Beginning Website here
Home of the Winnetou Movie
John is a working screenwriter whose writing focuses on edgy, character driven stories, be they thriller or drama. He currently works with directors and producers on both sides of the Atlantic, and is known for being highly collaborative and committed to getting the project to the screen.
An Alum of Hollywood’s ScreenwritingU, his screenplays have placed in prestigious international Competitions such as the Austin Film Festival, the Page International Screenwriting Awards, the Richmond International Film Festival and the Creative World Awards. His latest spec thriller has recently been nominated as part of the official selection of the 2015 Action on Film Festival in Los Angeles.
The 65th Berlinale will be held in Berlin, Germany on the 5th to the 15th February 2015.
Our German Representative, Karin Held, will be in attendance …
We herewith present a project of incredible scope and potential. “Winnetou – The Beginning” is a feature film with a unique insight into the soul of mankind. At its heart are two men of different cultures, and yet, these two men struggle for identical goals in ways that are defined by their race and their society. Both must face the vagaries of life and their own limitations, as we all must do on our journey from the cradle to the grave.
As filmmakers, it is our task to translate this tale into a visual experience that inspires the audience as much as it has us.
Why are we so enthused about this project? Our excitement is driven by a powerful story penned more than a century ago, now finally presented via an irresistible visual medium just as the original author would have wished it.
Great films always echo familiar human themes but strive to present them in new, more appealing ways. Such films are built with familiar constructs and yet they tap into our deepest convictions with intense intimacy.
Because great films demand our attention and emotional investment, we, as viewers, expect that these films entertain us and give us a deeper message, a mystery, a solution and a new truth about ourselves. We all seek these human truths from all the films we view because they are the new medium that fuel our dreams and aid us in sharing our common dream.
But films do much more than this. They allow us to critically perceive our everyday lives. In times of political and social instability, when the world appears to be disjointed, visual art takes on a powerful role. It becomes an agent of democracy and it bridges the chasms that language so often creates for us. Its fierce insistence on a self-critical vision is essential to the future of all our nations.
As producers, we take our role as storytellers very seriously. “Winnetou – The Beginning” is a timeless tale, which we present in a manner not previously displayed to an audience. We believe we have, for the first time, done justice to the great German author, Karl May, who long ago stated that he identified himself with mankind who is suffering as he had suffered. He was of the firm opinion that: “Humanity has lost its soul; consequently its spirit commits fallacies that can not be corrected until the lost soul is found again.”
We search for this lost soul in this film. We portray this quest via universal archetypes and display their joys, their fears, their laughter and their pain, each antagonist in their own manner as dictated by their race, learning and culture.
From the beginning, the books, the script and this film have been a labor of love, a project dedicated to the original author and his iconic characters. No other film project has felt so essential, so necessary, for our time. Until now, the new generation has been denied a film that depicts these timeless characters that Karl May created in his search of mankind’s lost soul.
Young people need examples to follow. They need heroes and villains to prepare them for the realities of life. We provide such examples, and such heroes along with expansive vistas, fantastic scenery, touching tenderness, forcefulness, heart-rending music and great acting.
We hope you will join us and become a part of this monumental project.
Angelia Baldwin Michael M. Michalak
Producer Co-producer / Script Writer
What was the weapon that Old Shatterhand used? That has been a question, which has long been on our mind. Karl May did not identify the year in which the story took place. The best guess we can make therefore depends on the story elements and the historical hints in “Winnetou II”.
Firstly, President Abraham Lincoln signed the Pacific Railway Act in 1862, which authorizes the construction of the first transcontinental railroad. The “Winnetou I” tale must therefore take place later than this year. The mention of the Ku Klux Klan in “Winnetou II” suggests that the story takes place after 1866. We also know that Maximillian I was in power and Benito Juarez was in exile. That indicates that the year for the second part of the Winnetou tale must be between 1864 and 1867.
Since Old Shatterhand returns to St. Louis and decides to go to Germany in “Winnetou II”, we must conclude that the year of the “Winnetou I” tale must be sometime after 1866 as this gives Old Shatterhand time to travel and the Ku Klux Klan to mobilize.
We also know that more than 200,000 units of the .44 Cal 1860 Black Powder Colt were manufactured from 1860 through 1873. We can therefore surmise that in all likelihood Old Shatterhand may have carried such a weapon.
We therefore test fired a replica of this hand gun, which we intend to use in our film “Winnetou – The Beginning” and you can see the result in the short video clip, provided for your enjoyment.
“We need more young people like her to reignite the interest in Karl May’s epic tales.” says Michael Michalak, the author of the film script. “And we thank her from the bottom of our heart for the work she does.”
Bei Winnetou handelt es sich nunmehr um einen Begriff, der sich einer ungemeinen Bekanntheit in Deutschland erfreut. Viele Leser aus allen Generationen verbinden mit dem Namen einen bestimmten Typus eines edlen Menschen, eines Indianerhäuptlings ohne Fehl und Tadel.
With regards to the name Winnetou, it is a concept that enjoys enormous fame in Germany. Many readers from all generations connect this name with a certain noble human being, an Indian chief beyond reproach.
But is Winnetou truly an Native American chieftain or a German archetype?
For that matter, is the land that Karl May describes really the North American continent or does it have another meaning? One must remember that Karl May wrote in his “Confession”;
A certain clique emerged from the Münchmeyer trial, which gave itself the task to deny any deeper meaning contained in my books so that they might accuse me of lies and swindle. Because of some lofty connections it was possible to deceive even those with moral sensibilities. And then there is the milieu that is covered by the content of my books. Whilst I lead my readers through the realm of the mankind’s soul, I give to its regions known geographical names. This makes comprehension much easier, however it provides the malicious cause to malign me. When I, for example, locate the realm of art to India for the sake of illustration, and the realm of religious intolerance to Belutschistan, without delay these unimaginative people deem that I truly visited India and Belutschistan. If not, than I am a literary liar and swindler. Accordingly Dante would have been the biggest swindler of all, since he claimed to not only have visited purgatory and hell, but also heaven!
So who is Winnetou and what realm is identified by America?
Please support the new Feature Film “Winnetou – The Beginning” that will do justice to Karl May’s work.
A year ago today, Russell Means departed this world as the morning star appeared above the horizon. His passing was a great loss to us all. He shall forever be remembered as the man who believed in justice for not only his own people, but for all of mankind, no matter what color skin, religion or persuasion.
He shall not be forgotten and his spirit shall reside in the heart of every freedom loving being.